What's On

Your guide to everything in North East

Final Say: Comedian Dylan Moran muses on his latest show Off The Hook

Newcastle City Hall and Middlesbrough Town Hall will both play host to the popular Irish comic who is on a mammoth UK tour

Dylan Moran
Dylan Moran

Technology is a thing we just have to deal with, but part of the problem it’s created is that we have to be more discriminating in what we choose to spend our time on and to think about and talk about.

You can only really find out what you think of something when you step back from the noise; it’s endlessly funny to me when I think about how we’re dealing with it: there are more computers in houses than people now. That’s how we’re all living.

I liked Off The Hook for its multiple meanings. One is the modern parlance for crazy or batshit, the other is if somebody has a feeling of liberation, and the final, biggest thing for me is about us not being available.

Of course, we are all so available to one another all the time; the oppression of connection rules us at the moment.

After we said goodbye to religion, we all embraced technology because, I think, a great many people want to be watched and want to be observed, and want to believe in a higher power.

There’s a great, inherent human trait to make and fabricate something bigger than yourself.

Children have monsters in their wardrobes or under their bed, but we have our own paranoia of state power and we like the fact that we can now give it a name such as NSA or GCHQ.

Of course, I’ll be talking about the election; it’s like someone handing you a bunch of kindling.

The cartoony comments you might make about the figures of the day is grist to the mill; you’re going to do that, but it’s not necessarily the real point of interest for me.

I’m fascinated more in the wave motion of where it’s all going; it’s all very freaky now and I’ve not lived through a time quite like this.

With so many more political parties involved now, it seems to be a more realistic reflection of who we are as people and as a society.

I’ve gone to town on the backdrop this time: every time I was having trouble with the show, I’d do a drawing instead. That was my displacement activity, and so I’ve done a lot of drawings.

I’ve generated a whole roster of people and creatures who live in these woods, so there’s a badger that’s a poet and a pig that ends up being Minister for Desserts.

During the tour, I’ll have half a dozen small books on sale which are part of a longer piece of work. I should make it clear that the books are not for kids, as all these animals are having midlife crises.

When you walk out and you’ve never said it before, that’s where the comedy exists.

Maybe that’s why live comedy has survived, because it has the danger element; for every comic out there, there’s no other way of trying this out except in front of an audience.

You might do this for 50 years and think you’ve worked out what’s funny, but at the same time you can always be surprised by a room full of people. So, when I first try stuff out, I’ll tape it and think, ‘where is this going, what can I do with it, am I coming at it the right way?’

In essence, there’s no shortage of sh** to talk about, that’s for sure; it’s a question of picking and choosing.

Journalists

David Whetstone
Culture Editor
Graeme Whitfield
Business Editor
Mark Douglas
Newcastle United Editor
Stuart Rayner
Sports Writer